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Oppenheim, A. (2000). Identifying artists in the time of Senusret III. The mastaba of vizier Nebit (North Mastaba 18) at Dahshur. In J. M. and K. Bárta (Ed.), Abusir and Saqqara in the year 2000 (pp. 116–132). Archiv orientální Supplementa, IX. Praha.
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Nelson-Hurst, M. G. (2011). The increasing emphasis on collateral and female kin in the late Middle Kingdom and Second Intermediate Period: the vivification formula as a case study. In L. C. and Weiss van den Hoven N. Staring D. Soliman J. Kramer M. Horn (Ed.), Current Research in Egyptology 2010. Proceedings of the Eleventh Annual Symposium which took place at Leiden University, the Netherlands January 2010 (pp. 116–123). Totton: Oxbow Books, Oxford.
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Hays, H. M. (2011). The death of the Democratisation of the Afterlife. In N. Strudwick and H. Strudwick (Ed.), Old Kingdom, New Perspectives. Egyptian Art and Archaeology 2750-2150 BC (pp. 115–130). Oxford: Oxbow Books, Oxford.
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D'Amicone, E. (1988). The Rock Tombs of Qau el-Kebir: Wahka I, Wahka II and Ibu. In A. M. Donadoni Roveri (Ed.), Egyptian Civilization: Religious Beliefs (pp. 114–127). Milan: Egyptian Museum of Turin.
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Davies, W. V. (2001). The dynastic tombs a Hierakonpolis: the lower group and the artist Sedjemnetjeru. In Colour and painting in Ancient Egypt (pp. 113–125). London: British Museum.
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